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«The Divine Kwakwacomedy»
Promenade theatrical performance, street, immersive, site-specific comedy, 80 min.

Directed and written by Evgeniya Rudyuk

Premiered in Saint Petersburg, Russia, as part of the Theater Festival "THEATER 360" in the Brusnitsyn Cultural Quarter on 20 of September, 2025

This performance is an author's reinterpretation of Aristophanes' comedy "The Frogs", which, in the form of flirting with the theatrical form, sets itself an important and urgent task — to reflect on the modern situation of the actor and the theater as a phenomenon.

Together with the characters of the play, the audience is invited to go to Hades in search of answers to questions about the secret of the popularity and purpose of art and immerse themselves in Dionysian games.

This story is about how pointless the pursuit of popularity in art is. This performance provides answers to the question of why we should engage in theater today in the format of the metamodern trend of "new sincerity".

Artistic production group:
Assistant Director - Galya Shiyan
Set designer - Maria Asha
Costume designer - Sonya Sonnaya
Props designer - Anastasia Motok
Rap lyrics author - Katya Holms
Musical beat maker - Artyom the Dead

Cast:
Aeschylus - Anna Olshanetskaya
Euripides - Irina Velikaya
Dionysus - Olga Vasina
Charon - Maria Teteryuk
Aristophanes - Anna Pavlova
Playback actresses - Tatiana Krasovitova, Olga Novikova
Performers - Alina Mukoseeva, Joe Anastasia, Elena Evstigneeva, Anastasia Motok, Maria Asha, Mariam Traore

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«Orestes and the Flies of conscience»

Performance, political satire, eccentric comedy, dystopia, 1h 05 min.

Directed and written by Evgeniya Rudyuk

Premiered in Saint Petersburg, Russia (Theatrical studio "VINCI") on 28 of June, 2025

This performance is based on Sartre's play "The Flies" and the ancient Greek cycle "Oresteia" by Aeschylus. It is a political satire, describing the society which is devoid of any morality except the philosophy of comfort and collective guilt.

According to the new author's interpretation, Electra is waiting for her brother Orestes to return to his hometown of Argos, where their father Agamemnon was killed, and now the tyrant Aegisthus rules. But instead of a hero brother, Elektra meets an overly well-mannered young man, raised on the philosophy of a superman and completely unwilling to take revenge. Elektra has to take her fate and the future of the city into her own hands. She achieves her goal—but at what cost?

In the proposed plot, the viewer will be able not only to sympathize with the main characters, but also to laugh at the absurdity of reality in a metamodern way, as well as immerse themselves in the cultural space of the Soviet myth.

This is a story about how a victim becomes an executioner. The message is that in an era of tyranny, it is better to become a victim than an executioner.

Artistic production group:
Set designer - Varya Vovsi
Production designer - Maria Asha
Props designer - Anastasia Pavlova
Choreographer - Olga Vasina
Lighting and sound artist - Konstantin Karelin

Cast:
Elektra - Irina Velikaya
Orestes - Alexandra Zatsepilina
Jupiter - Anastasia Batanova
Egisf - Aziza Tashkhanova
Nietzsche (Teacher) - Rita Olendskaya
Two Flies - Maria Teteryuk, Anna Olshanetskaya
Argos citizens - Tatiana Luneva, Anna Pavlova, Victoria Alikaeva
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